Ntozake Shange :: Male White Dominance Essays Prejudice

Ntozake ShangeAfter disbursal a semester looking at Gardners limited selection of heap, I became frustrated at his blatant message that clear male creativity is the only one to exist. With his obtrusive message in mind, I felt the wish to challenge Gardner and his model to become less Euro-centrally male driven. In grade to confront him, I have chosen a person who is neither, White nor male. Instead, she is a Black American woman who I can project to be, in many aspects, a inventive genius. Although I find it improbably hypocritical to try to fit Ntozake Shange into Gardners creativity model, for all intensive purposes for the fall apart I will first point out how she does meet his model. Next, in accordance with Black feminists, I will examine why she does non fit into Gardners creativity model and frankly, why it does non matter that she is not shaped into the model. Further, I will confront the issue that marginal people are rejected societys cannon (i.e. the white ma le cannon), and how Gardner, in the spatial relation of a writer he could have broken down some(prenominal) of these barriers. Ntozake Shange does fit into five of the seven intelligences in Howard Gardners model. As a action artist, poet, musician, writer, and politician, Shanges intelligences span the interpersonal, spatial, kinesthetic, musical, and verbal talents. She blends music, drama, and poetry to characterize the Black experience in America, particularly the Black female experience. Her works empower women to take tariff for their lives by learning to love themselves and challenge their oppressors. Shanges life and works fork out clarification and direction to the current feminist movement (Black Women in America).Furthermore, her confirmatory back-ground fits her into Gardnerstheory that, the roles of family and teachers during the formative years, as well as the roles of crucial supportive individuals during the multiplication in which a creative breakthrough seems imminent through the lives of creative people (8). Paulette Williams was born to Eloise and Paul Williams on October 18th, 1948. Later in life, Paulette Williams changed her knuckle down name to an African name, Ntozake Shange. Ntozake means she who comes with her own things and Shange means who walks like a lion (Current Biography 1978). However, in her earlier life, Shange lived a seemingly comfortable life. Her mother was a psychiatrist/social worker and her father was a surgeon. Despite their Blackness in a times of segregation, Shange was given fiddle and dancing lessons while exposed to other artistic activities as well.